15 CONTINUED 15. ED Nah, we're okay. We're aware of the WAITRESS, moving in to refill their coffee cups from a glass Cona jug as they relax again. WAITRESS (DAVINA) Anything else? BECKETT Just the bill, please. We don't have very long. ANGLE UP on the WAITRESS as she pauses before moving away ... and now we can see that it's DAVINA. 16 EXT. PARKING AREA. ROADSIDE CAFE. DAY. 16. Screened by the van, SARITA has cut and removed the rubber seal holding in the rear windshield and is lifting out the glass. Laying it aside, she dives forward through the gap and slides headfirst into the car staying low. 17. INT. ROADSIDE CAFE. DAY. 17. DAVINA, serving at another window table, looks out. Her P.O.V. on the car: a FLASH qoes off inside, barely noticeable from here. 18. INT. TEST CAR. DAY. 18. With a compact camera, SARITA is worming around below window level and pulling the security covers aside to photograph the equipment and instruments that lie beneath. She's speaking in a low voice into a dictaphone as she struggles around. SARITA It looks like a fully automatic gearbox with touch selection. The handbrake includes a transmission lock. The rearview mirrors all self-adjust to the driver's eyeline. There's nowhere for an iqnition key. It could be a code system ... no. It's thumbprint recognition. I'll get a close shot and then I'll dismantle the dash. 19. INT. GIZMOS. DAY. 19. With a paper cup of coffee of her own, ROS frowns and peers at her screens. All the graphs and readouts are still. Apart from one, which is jiggling up and down slightly. ROS Beckett? What's happening with the car? 20. INT. ROADSIDE CAFE. DAY. 20. Lookinq out, BECKETT folds the headset mike down into place. BECKETT Nothing. ROS So what's making the suspension bounce? Eyes still on the car, BECKETT freezes. ED not having heard anything of what ROS said, watches him intently. ANGLE ON THE CAR, seen through the window: another FLASH lights up the inside. BECKETT abruptly leaps to his feet. BECKETT Trouble. He's heading for the door. ED's right behind him. As they're approaching the door, DAVINA is moving away from it. She walks right on out of shot. BECKETT hits the door, rattles it; it's locked. He turns. BECKETT Hey, miss ... DAVINA has moved riqht to the other side of the room and is behind the counter, by the door that leads into the kitchen; she turns to look at BECKETT as he calls to her but she's dropped all pretence. In one smooth movement, she hits the glass on the fire alarm point beside the kitchen door and then disappears on through the doorway as the alarm begins to sound. 21. 21. SARITA's head comes up at the sound of the alarm bells on the outside of the cafe. She scrambles to get out. 22. INT. KITCHEN. ROADSIDE CAFE. DAY. 22. BECKETT and ED storm through the kitchen and out of the back door. We see DAVINA, crouched out of sight and letting them pass. 23. EXT. PARKING AREA. ROADSIDE CAFE. DAY. 23. BECKETT and ED, running at full-pelt across to the test car, just as . . SARITA climbs into the transit van and slams the side door. BECRETT goes around behind the car and picks up the sprung-out windshield, holdinq it before him and looking at it incredulously. ED is crouched beside a front wheel of the transit, quickly letting all the air out of it. Then he straightens, and bangs on the door. ED Come on. You're going nowhere. Come out and let's get a look at you. BECKETT joins him. BECKETT Back doors. They're moving toward the back of the van, one down either side, when ... The rear doors of the van burst open and SARITA flows out on a lightweight, scrambler-style motor bike. She hits the ground and goes straight into a speedway-rider's turn, aiming the bike around at the cafe and leaving our BOYS standing. DAVINA is emerging from the back door of the cafe. The bike slows to pick her up. As it draws level, she hops onto the pillion behind SARITA. BACK ON BECKETT, who's watching them go ... BECKETT I'll follow them. You get the test car back to the lab. (he glances around) Ed . ? ED's not there. BECKETT's alone.